Sculpture “Optimist – Pessimist” — Iconic Viennese design object with a dual effect
This sculpture is available in the Design-Foyer online shop — as an original design object from the Viennese workshop Carl Auböck, carefully curated and sourced directly from the factory.
The sculpture “Optimist – Pessimist” is one of Carl Auböck II’s most poetic and at the same time most distinctive designs. The object was created in 1951/1952 and is today one of the best-known examples of the playful yet profound formal language of Viennese Modernism.
Crafted from solid brass and finished by hand in Vienna, the sculpture embodies a rare fusion of humor, philosophy, and meticulous craftsmanship. Depending on its orientation, the figure appears as either an optimist or a pessimist—an object whose meaning shifts with a single turn.
A design object that makes emotion visible
Unlike purely decorative sculptures, this piece possesses a narrative quality. The simplified figure is deliberately abstracted, foregoing details in favor of a clear message: perspective determines perception.
This duality makes the object particularly fascinating—depending on the viewing angle, it appears cheerful or contemplative, open or closed off. This creates a dynamic relationship between viewer and object.
Typical Auböck: Minimalism with character
The works of the Auböck workshop are characterized by clean lines, high-quality materials, and a subtle irony. The "Optimist – Pessimist" sculpture is a classic example of this approach: modern, minimalist, yet full of personality.
The interplay of patinated brass and polished sections on the head and hands creates a pleasing visual tension. At the same time, the material underscores the object's durability.
Effect in living space or office
Due to its compact size, the sculpture is suitable for many placements:
• Desk or workspace
• Bookshelf or library
• Sideboard or console
• Meeting room or practice
• as a humorous touch in the office
Especially in the workplace, it acts as a subtle conversation starter — intelligent, cultured and not intrusive.
An extraordinary gift with meaning
The “Optimist – Pessimist” sculpture is one of those design objects that are particularly suitable as a gift, as it is both aesthetically pleasing and symbolic.
Ideal for:
• Executives and entrepreneurs
• Architects and designers
• Colleagues on the anniversary
• People with a sense of humor and depth
• Party favors, wedding gifts, gifts for men
The object conveys appreciation without appearing pathetic.
Material, origin and technical data
• Design: Carl Auböck II, design 1951/1952
• Production: Carl Auböck workshop, Vienna
• Material: Patinated brass, head and hands polished
• Production: current manufacturing based on historical designs
• Height: 9.5 cm
• Width: 11 cm
• Length: 13 cm
• Weight: 0.215 kg
Each piece is crafted using traditional metalworking techniques. Slight variations in surface or patina are a sign of genuine handcraftsmanship.
Meaning in the context of Austrian design
The "Optimist – Pessimist" sculpture exemplifies how Austrian post-war design could combine function, humor, and philosophy. It is neither a pure art sculpture nor a mere decorative object, but a distinctive design piece with cultural significance.
It is precisely this multifaceted nature that makes Auböck objects so sought after internationally.
Conclusion
The sculpture "Optimist – Pessimist" is a small but exceptionally expressive design object. It combines craftsmanship, historical significance, and emotional intelligence into a piece that is equally convincing in private homes and professional settings.
👉 This and other original objects from the Carl Auböck workshop can be found in the Design-Foyer online shop.
Author: Gabriele Bittermann/DESIGN FOYER
www.design-foyer.com
